When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.

If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style.

Right now everything is pumped up. Cars look like someone took an air pump and pumped them up. They look engorged. Lips pumped up, breasts pumped up, everything is pumped up. And it's also kind of off-putting. It's sexual but in such a hard way that it's, for me, not sexual at all. Whereas the 1970s, breasts were smaller. People were not wearing bras. Farrah Fawcett's sexuality and sensuality was a very touchable sexuality. She was kissable. She was friendly.

I don't believe in playing around much with suit cuts. I like a fairly classic shape that gives a man strong shoulders, a fitted waist, and long legs. Classic simplicity always works.

Fashion is very quick. It's very disposable. It's immediately - it tells you exactly where we are in our culture, especially women's fashion.

I'm a believer in fate and in fulfilling your destiny. I've always had a kind of inner voice that I have learned to listen to.

Hips are absolutely key to every shape I do, because whatever you do at the top or bottom, you want to keep it slim and narrow on the hips. One thing is for certain: No one, man or woman, wants big hips.