When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.

The seventies is what I love. Soft, touchable beauty is what I love.

Your connections with other people are important, our connection to the earth.

Hips are absolutely key to every shape I do, because whatever you do at the top or bottom, you want to keep it slim and narrow on the hips. One thing is for certain: No one, man or woman, wants big hips.

I enjoy the speed of fashion. I love doing different things and I think I still have something valid to say in fashion.

If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.

One of the most important things is to figure out what your look is — I don't wear this black suit-white shirt combination all the time to try and be iconic — but because I'm most comfortable in this. Cary Grant never turned up in a pink jacket and hot pants and I don't feel the need to experiment when I know I like dressing this way.