I have a little office in my house and it is an absolute pigsty but I know exactly where everything is and there are little things stuck all over the walls, and papers in in-trays and files I have saved on my computer and playlists I have made on my iTunes - things that take me to a place that I think is appropriate.

I’d like to fight everybody who wants to make war on people. I’d like to fight bullies, actually. I’d like to stand up to the bullies in this world. I was actually mugged once in London, and I was completely defenseless. They came at me with a… I was held at knifepoint. And I felt so angry that I let them do it and I think I’d like to go back and say ‘Look, it’s okay’, and if they tried to stab me, I could just say ‘You can stop that now’.

The difference between a hero and a villain is that they just make different choices.

The thing about running is, if I run in the morning before work, I feel like I'm ahead of the day. Whatever work I've done in terms of preparation or research or thinking about the scene or the character, it all kind of crystallizes in that moment in the morning. And sometimes I have the best ideas then.

I was so lucky because what I did in 'Thor' was I built the character from the ground up - the foundations of his spirit, really. He was someone who was born with an expectation that he would one day be a king, born with an entitlement.

I think there's a part of all of us that wonders how we would survive on an island untouched by Man. Even better, an island untouched by Man and inhabited by King Kong.

The weird thing about serious acting is I've always done impressions of people, all my life, and I did the thing called a balloon debate. The idea is there's a hot air balloon traveling across the Atlantic and it's going down and you have to give a speech as to why you should stay in the balloon. Six people are going to be chucked out and you want to stay.