In 'Thor,' that was my own hair. I grew it out. But I have naturally curly, blonde hair, so I'll never look like that. By the time I got to 'The Avengers,' I had come off two other films, which required me to have it very short. So I dyed it again and it was long enough to use a part of my hairline.

Everythings a choice. Nobody's born good. Nobody's born evil. It's always a choice.

One of the great flaws that we all share is that we think everyone else is cooler, everyone else is sexier; everyone else has all the answers. That was me too.

What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.

The Night Manager doesn't exist in the post-Cold war universe, it exists much more in the modern world, I think. There is more action. The bad guys don't have particularly political or national-political affiliations.

Showing young children in these communities, that there are outlets for their feelings, that there is room in a space for their stories to be told, and that they will be applauded - and it's not about ego, it's about connection: that their pain is everybody else's pain.

It sounds cliched, but superheroes can be lonely, vain, arrogant and proud. Often they overcome these human frailties for the greater good.