I am desperate to do a comedy now.

I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.

I feel as though the cardboard box of my own reality has been flattened and blown open. Now I can see the edge of the world.

What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.

In the end, you will always kneel.

I wish I hadn't worked so hard; I wish I'd had the courage to live a life true to myself, not the life others expected of me; I wish I'd had the courage to express my feelings; I wish I had stayed in touch with my friends; and I wish I had let myself be happier. It's an extraordinary list of getting in your own way, isn't it?

Never, ever, let anyone tell you what you can and can't do. Prove the cynics wrong. Pity them for they have no imagination. The sky's the limit. Your sky. Your limit. Now. Let's dance.