I feel fortunate to have made records during an era where people actually bought music. But I have friends in struggling up-and-coming bands now that will certainly never be able to pay the rent, because music has been devalued.

My take is that there's two ways to approach history. You sit in your armchair and you watch it on the news and you return to your PlayStation. Or you get out in the streets and you make it. Like, when those Supreme Court justices, you know, legalize desegregation, it wasn't due to their infinite wisdom. It's because people whose names you do not read about in history books, people whose faces you will never see, were the ones who struggled and sacrificed, sometimes gave their lives, to make this country a more equal one. When, it's like those people don't make history, it's us.

Sacrifice and neon lights, Slaveships don't wait, Love many, trust few, And don't be late...

I came late to the genre of folk music.

A good song should make you wanna tap your foot and get with your girl. A great song should destroy cops and set fire to the suburbs. I'm only interested in writing great songs.

I think I was meant to be a musician who speaks his mind about social justice issues. And I grew up in a lower middle class family, but a family that had enough money to buy a $50 guitar and a $50 amplifier, and had a basement to rehearse in. What I think the global human cost of this horrific poverty is how many Mozarts or curers of cancer are slaving away in the Maquiladoras along the Tijuana border, or in the Indonesian sweat shops? There are billions of people who will never become the people they could be, or the people they were meant to be, due to crushing poverty.

We have power not just with our voices, but we have economic power in what we do for a living, too.