Safe from the Neighbors is a novel of unusual richness and depth, one that's as wise about the small shocks within a marriage as it is about the troubled history of Mississippi. Steve Yarbrough is a formidably talented novelist, shuttling between the past and present with a grace that feels effortless.

Jill felt an emptiness open inside of her as she lifted her arm, a sense that something vital was being subtracted from her life. It was always like that when somebody you cared about went away, even when you knew it was inevitable, and it probably wasn't your fault.

I was an English major in college, I went to a creative-writing program, and all my life, I really read and thought about fiction as a craft and an art form. I feel like I know a lot about it, and can trust my instincts.

I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.

As for writing about temptation, there's no drama without temptation, and no novel without drama.

The lesson you have to learn as novelist is how to be collaborative, and how to say, "I don't get to dictate this."

I'm not sure that it's possible to write a novel about people who don't transgress or stumble, people who don't surprise themselves with the things they do, people who can explain all their actions with perfect logical consistency. At least it's not possible for me to write that sort of novel.