Relentless Forward Motion!

My fishing hole is deader than...a dead thing that's dead.

Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.

I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.

I didn't know about the fashion world, or at least I took it for slightly superficial. I didn't realize the extent of it.

The other great thing about it, that seems to be the case in streaming, is that a lot more scripts are written before you start. Because they are planning on allowing it all up at one time, you have four or five scripts to read and an outline of where it's going to go. The writers aren't chasing their tails as much. You're able to see the beginning, middle and end of a storyline, and that is rare. Streaming allows that, in a way that network TV doesn't.

Prior to [streaming], the idea of sitting down and watching a show every week seemed like a great idea.