In East of Eden, John Steinbeck wrote that there's never been a great creative collaboration. When the Beatles first burst on the scene, I thought they were proving him wrong. Later, we learned that Lennon and McCartney had each composed their pop masterpieces separately, individually. So it goes.

There is a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like a part of the act.

Bland writing - timid, antiseptic, vanilla writing - is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is sign on as its accomplice.

The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.

Like the Arthurian years at Camelot, the Sixties constituted a breakthrough, a fleeting moment of glory, a time when a significant little chunk of humanity briefly realised its moral potential and flirted with its neurological destiny, a collective spiritual awakening that flared brilliantly until the barbaric and mediocre impulses of the species drew tight once more the curtains of darkness.

People tend the take everything too seriously. Especially themselves. Yep. And that's probably what makes 'em scared and hurt so much of the time. Life is too serious to take that seriously.