Life's an offensive proposition from beginning to end. Maybe those who can't tolerate offense ought to just go ahead and end it all, and maybe those who demand financial compensation for offense ought to have it ended for them.

There are times when we can feel destiny close around us like a fist around a doorknob. Sure, we can resist. But a knob that won't turn, a door that sticks and never budges, is a nuisance to the gods. The gods may kick in the jamb. Worse, they may walk away in disgust, leaving us to hang dumbly from our tight hinges, deprived of any other chance in life to swing open into unnecessary risk and thus into enchantment.

When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work.

Life is too small a container for certain individuals. Some of them, such as Alobar, huff and puff and try to expand the container. Others, such as Kudra, seek to pry the lid off and hop out.

People feel tremendous pressure to settle down in some sort of permanent space and fill it up with stuff, but deep inside they resent those structures, and they're scared to death of that stuff because they know it controls them and restricts their movements.

Don't be outraged, be outrageous.

It is as if the soul of the continent is weeping. Why does it weep? It weeps for the bones of the buffalo. It weeps for magic that has been forgotten. It weeps for the decline of poets.It weepsfor the black people who think like white people.It weepsfor the Indians who think like settlers.It weepsfor the children who think like adults.It weepsfor the free who think like prisoners.Most of all, it weepsfor the cowgirls who think like cowboys.