My paintings are very strange - large and empty, like walls. Just the opposite of my writing, which is rich and juicy.

I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.

All dreams continue in the beyond.

Throughout most of our history, nothing - not flood, famine, plague, or new weapons - has endangered humanity one-tenth as much as the narcissistic ego, with its self-aggrandizing presumptions and its hell-hound spawn of fear and greed.

Somewhere in the archives of crudest instinct is recorded the truth that it is better to be endangered and free than captive and comfortable.

Much scientific truth proved to be as hypothetical as poetic allegory. The relationshiip of those rod-connected blue and red balls to an actual atomic structure was about the same as the relationship of Christianity to the fish or the Lamb.

If you take any activity, any art, any discipline, any skill-take it and push it as far as it will go, push it beyond where it has ever been before, push it to the wildest edges of edges, then you force it into the realm of magic.