Every exit is an entry somewhere else.

We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.

I read for interest and enjoyment, and when I cease to enjoy it I stop.

You're familiar with the tragedies of antiquity, are you? The great homicidal classics?

It was a different planet in 1967, the Broadway theatre. It had a little ashtray clamped to the back of every seat and the author got 10% of the gross.

I think theater ought to be theatrical ... you know, shuffling the pack in different ways so that it's -- there's always some kind of ambush involved in the experience. You're being ambushed by an unexpected word, or by an elephant falling out of the cupboard, whatever it is.

Fantasy flows in where fact leaves a vacuum.