Audiences know what to expect, and that is all that they are prepared to believe in.

You always end up with too much, so it's good to be part of the conversation about not just what you can omit, but how you are going to do the grammar of the omission, how you make things continue to work when there's something missing. It's your last chance to rewrite.

Better a fallen rocket than never a burst of light.

I think theater ought to be theatrical ... you know, shuffling the pack in different ways so that it's -- there's always some kind of ambush involved in the experience. You're being ambushed by an unexpected word, or by an elephant falling out of the cupboard, whatever it is.

Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child

If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.

I burn with no causes.