I saw a crow building a nest, I was watching him very carefully, I was kind of stalking him and he was aware of it. And you know what they do when they become aware of someone stalking them when they build a nest, which is a very vulnerable place to be? They build a decoy nest. It's just for you.

The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.

I just don't like the word 'fun'--it's like Volkswagen, or bell-bottoms, or patchouli-oil or bean-sprouts...it rubs me up the wrong way.

It's the same with men as with horses and dogs, nothing wants to die.

That for me is more important than anything when you're in the studio - to have somebody you can trust and who knows you, knows who you are and doesn't let you get away with anything.

He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.

You hope people are going to be listening to you after you're gone. And they like you better after you're gone.