Nothing is impossible. Whatever idea comes up, we always try to make it. Sometimes it doesn't work because it's just not technically achievable. But you can always make things better, more contemporary with the construction, the inside, the weight, and all of that.

Nobody needs another fashion show.

I think every collection is always a move forward. It's the same work - the process is always the same. The interesting thing is to try to achieve a certain nothingness.

Nothing is impossible. Whatever idea comes up, we always try to make it. Sometimes it doesn't work because it's just not technically achievable. But you can always make things better, more contemporary with the construction, the inside, the weight, and all of that.

I'm making bags that don't even have a seam. But many people don't get that. They run through the showroom and go, "He did yellow bags this season." That's fine. Not everything needs to be visible to everyone. But personally, that's what makes my work interesting to me. The whole fashion thing is not that interesting to me. The overall circus is not my universe.

In Italy there is a supreme know-how and a desire to achieve that doesn't really exist anywhere else. You can't make clothes like that in America, because it's just not in the tradition.

Where I grew up, we spent a lot of time outside. I moved to Paris when I was 19, and from then on, it was exactly the opposite. On the weekend, you go to the galleries, the museums, the movies. And I thought, "I'm not going to be like all of these friends I've had who are now at this certain stage in their lives, and they are all unhappy with themselves because they never get out in the fresh air or the sun, and they get so disconnected from their bodies that they have to just layer and layer and layer like onions. I am not getting old like that."