I'm working for a woman, not a lady. What I hate the most is that "lady" talk. You know, when I read a review, "The lady wears a Bottega Veneta. . . ." What lady? It's the same girls who are walking the runway an hour later elsewhere. But probably it is just the sophistication in our material, the nuance of the color, or the quality of the makeup or the hair that make people think that way. Most people just don't understand simplicity.

I'm making bags that don't even have a seam. But many people don't get that. They run through the showroom and go, "He did yellow bags this season." That's fine. Not everything needs to be visible to everyone. But personally, that's what makes my work interesting to me. The whole fashion thing is not that interesting to me. The overall circus is not my universe.

It's the moment when you're making the clothes - "Doesn't this need that?" That's how it comes. It's not from, like, thinking for hours. Most of the things happen when you are in the fitting. When you make clothes, the fitting is the decisive moment.

The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.

I think every collection is always a move forward. It's the same work - the process is always the same. The interesting thing is to try to achieve a certain nothingness.

I like simple, I like quality, and I like less. Do I like a certain aesthetic? Yeah.

Nobody needs another fashion show.