They encouraged you to put some of your weight in their hands and soon as you felt how light and lovely it was, they studied your scars and tribulations.

Narrative is radical, creating us at the very moment it is being created.

If he looked into her face, he would see those haunted, loving eyes. The hauntedness would irritate him - the love would move him to fury. How dare she love him? Hadn't she any sense at all? What was he supposed to do about that? Return it? How? What could his calloused hands produce to make her smile? What of his knowledge of the world and of life could be useful to her? What could his heavy arms and befuddled brain accomplish that would earn him his own respect, that would in turn allow him to accept her love?

My metaphor is that evil always has a top hat and a cape, and goodness is over there in the corner. For me it's just too easy, if you hate your country or your wife, so you kill them. You can't think through that, you can't feel through that, you can't do the work. And now we have guns. Solution? I don't think so.

Along with the idea of romantic love, she was introduced to another - physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion.

Art invites us to know beauty and to solicit it, summon it, from even the most tragic of circumstances.

Love just seems to make life not just livable, but a gallant, gallant event.