Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.
I worked for a lot of directors.
If you think about it, episodic filmmaking has not been something that people have really done.
No one can help you write. No one can teach you how to write.
I like knowing where I am in action sequences if I'm supposed to.
I love the idea of spies in love. How would it work between two people who were so programmed to lie and be suspicious, who have a whole life based on pretence?