Ambiguity depletes as your budget rises.

Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.

Different people work different ways.

If you think about it, episodic filmmaking has not been something that people have really done.

I don't like to be crazy on different levels all of the time.

A reversal is just anything that's a surprise. It's a way of keeping the audience interested.

I spend a lot of time in a sort of free state when I'm writing in the beginning and sketching.