Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.

A reversal is just anything that's a surprise. It's a way of keeping the audience interested.

I can't imagine directing from someone else's script.

You change or you hide your head in the sand.

I think what I've recognized over the years is that I'm very, very bingey, extremely bingey when it comes to writing.

I never really like it when other writers talk about coming in behind people and rewriting.

You just try to find something that interests you, and particular something that interests you that's gonna consume you the way that these big movies just really eat you up.