I always admire people who do commercials because they have to put together a beginning, a middle, and an end in 30 seconds.

My kind of childhood comic ideal was Tim Conway. And just because I always loved that he could do so much without saying anything and just his physical comedy. I'd love - I mean, that would be kind of a dream to have him come on and be able to act across from him.

Look, if I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.

I always admire people who do commercials because they have to put together a beginning, a middle, and an end in 30 seconds.

A lot of times, you feel like you're walking on eggshells in a creative environment, because everyone's having to watch out for egos so much of the time.

And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.

I was a creative kid; I wasn't really into sports, and sports in the South are a pretty big deal. It's like a religion down there. It was tough to find my footing, but thankfully, my parents discovered, through a neighbor, this theater called Young Actors Theater and signed me up for the summer program. It really was a gift. Even if a kid doesn't go into acting or the arts like I did, some kids need that environment to find themselves and find what they love to do. I'm so thankful for that theater; it was a big gift to me.