I've had the opportunity to do a wide range of stuff, a lot of different characters and they've all had their own kind of thing.

Look, if I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.

I remember doing a lot of comedy. I always loved that feeling when you do something on stage and you can feel the vibe of the audience turn, and they start laughing. It's how you know something's not right, and how to fix it, or how to make the moment stronger or funnier.

If a D.C. event doesn't have crab cakes, it's low-rent and you need to flee.

I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.

What's fascinating about D.C., the exteriors are these elaborate structures, this gorgeous architecture and beautiful stonework, and then you go inside and it's crap-looking - apart from the White House, which is beautiful.

My kind of childhood comic ideal was Tim Conway. And just because I always loved that he could do so much without saying anything and just his physical comedy. I'd love - I mean, that would be kind of a dream to have him come on and be able to act across from him.