It does irritate me when I am described as a controversialist and commentator on Israel.

There were various different keys in which European history had tended to be written. One is the lyrical key, the idea that somehow, in Bretton-Woods in 1945, a bunch of well-intentioned men got together and said, "This can't go on; let's build a European Union." And it just wasn't like that.

At a certain point, to remain slightly tangential to wherever I was became a way of 'being Tony': by not being anything that everyone else was.

I've lost count of the interviews I've done about my illness and its relationship to my ideas and writing.

We no longer ask of a judicial ruling or a legislative act: is it good? Is it fair? Is it just? Is it right? Will it help bring about a better society or a better world? Those used to be the political questions, even if they invited no easy answers. We must learn once again to pose them.

I do think we're on the edge of a terrifying world, and that many young people know that but don't know how to talk about it.

The different American experience of the 20th Century is crucial because the lesson of the century for Europe, which essentially is that the human condition is tragic, led it to have a build a welfare system and a set of laws and social arrangements that are more prophylactic than idealistic. It's not about building perfect futures; it's about preventing terrible pasts. I think that is something that Europeans in the second half of the 20th century knew in their bones and Americans never did, and it's one of the big differences between the two Western cultures.