After doing those Mötley Crüe and Nickelback shows where the demographic is a little older, Papa Roach got a lot of fans from those tours. And now we have parents saying "Yeah my kids are into you guys!" It's cool.

I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.

I filled in for Papa Roach because we weren't doing much. Unwritten Law had a few more shows booked, but I got the call to fill in again at the end of the year. I was like, "I have to make myself available to these guys."

You always go in with the intention of playing your best and knowing the material you're auditioning.

We're striving to stay in the arenas. We [Papa Roach] had just little things that just took our show a step up and were so stoked for that.

We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.

I'm the drummer that kind of plays more on top of the beat.