This business can be very frustrating but there is success story after success story of people who take the bull by the horns. Actors who are frustrated ... [should] do your own project. Find a writer, shoot a movie. It can be done.

Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, I had kind of a diverse kind of résumé.

And Big Night, I think by the end, the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.

I still think of myself as a stage actor. When I do film and television I try to implement what I was taught to do in theatre, to try to stretch into characters that are far from myself.

The challenge with all television - all series television as you get into later seasons to give people what they have come to, what they've become familiar with and what the qualities of the shows that they recognize without letting it get staled.

I was one of those people who put too much emphasis on work and career and material possessions, and it took its toll on all my relationships, on my physical health, my emotional and mental health.