Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, I had kind of a diverse kind of résumé.

This business can be very frustrating but there is success story after success story of people who take the bull by the horns. Actors who are frustrated ... [should] do your own project. Find a writer, shoot a movie. It can be done.

I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things.

Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, I had kind of a diverse kind of résumé.

And Big Night, I think by the end, the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

I am living proof that uncertainty is vastly underrated and often times a blessing in disguise.

I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.