We always started these albums as making demos, that went right on until Scary Monsters.

Now I know what it's like to be a rock star. No, I didn't sleep with 5 groupies at once. But I was interviewed about 45 times in 5 days in 3 cities.

Pop was initially ignored as a moneymaker by the recording industry. In the seventies they were still relying on Frank Sinatra and Tony Bennett for their big hits. You know, most of the budget for the record companies in those days went to the classical department - and those were big budget albums.

Computers have virtually replaced tape recorders.

Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.

My profession is called record production.

Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.