Initially I borrowed the word "perverse" for my works from Roland Barthes, meaning pleasure-driven and not geared to inform or promote a service or a product.

Los Angeles made me less interested in making my images move. Everything is evolving and regressing. It can be hard to pinpoint which changes are linked to place. I believe California has made me more polite. I get a little surprised when I rediscover how direct and rude Norwegians can be.

Making photographs can be a way for me to bring something up and into consciousness, something either shared or individual.

Initially I borrowed the word "perverse" for my works from Roland Barthes, meaning pleasure-driven and not geared to inform or promote a service or a product.

I'd like the photographs to potentially be meaningful to a wide range of people. They do not grow out of the reportage mode, this was always clear to me. Personal imaginations blend into each other and create our visual cultures. No one is a neutral observer of this field.

Initially I borrowed the word “perverse” from Roland Barthes, meaning pleasure-driven and not geared to inform or promote a service or a product. An unproductive photograph designed to keep you in the process of looking is of course something larger than an expression of aberrant sexuality.

I'm experimenting and pushing as far as I can. I typically don't know what I was aiming for until I see what I ended up with. Then I can study and choose.