I'm experimenting and pushing as far as I can. I typically don't know what I was aiming for until I see what I ended up with. Then I can study and choose.

I often have to feel my way through the alternatives. The 99-cent store is attractive because it offers objects that aren't promoted in glossy magazines. The work then becomes a form of alchemy.

Making photographs can be a way for me to bring something up and into consciousness, something either shared or individual.

Los Angeles made me less interested in making my images move. Everything is evolving and regressing. It can be hard to pinpoint which changes are linked to place. I believe California has made me more polite. I get a little surprised when I rediscover how direct and rude Norwegians can be.

Initially I borrowed the word “perverse” from Roland Barthes, meaning pleasure-driven and not geared to inform or promote a service or a product. An unproductive photograph designed to keep you in the process of looking is of course something larger than an expression of aberrant sexuality.

Initially I borrowed the word "perverse" for my works from Roland Barthes, meaning pleasure-driven and not geared to inform or promote a service or a product.

I like to put a single photograph in different contexts, to see how it takes on other meanings, how being locked in a new dialogue exposes another potential. It's like dating other people in order to get to know yourself.