For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.

I dont think about race before I start drawing. I think about how to make that mark to fit whatever purpose I need it to fulfill.

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.

It is hard to produce work in New York. You kind of have to center yourself - do some Zen meditation exercises and just focus. It is very distracting, and money, of course, is an issue.

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.

Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness and your black presence.

I kept wanting to push my image as validity; I wanted to see my portrait on a wall and know it was okay.