For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.

It is hard to produce work in New York. You kind of have to center yourself - do some Zen meditation exercises and just focus. It is very distracting, and money, of course, is an issue.

I dont think about race before I start drawing. I think about how to make that mark to fit whatever purpose I need it to fulfill.

I kept wanting to push my image as validity; I wanted to see my portrait on a wall and know it was okay.

I needed to create something I could take with me wherever I went.

Hank Willis Thomas is great. He's the one who "discovered" my work and saw something that I didn't see. He's still constantly pushing me to try out new ideas and not be afraid of what other people will say. He truly is a mentor, and I often ask him about the art world, how to juggle it all and not lose your mind. It would be like accepting an award without thanking him because he really has been so supportive.

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.