They grew really quickly. One minute I didn't have any tits and the next I had the biggest tits in the world.

If I didn't want to work for a couple of years I wouldn't have to - it's a great feeling, to know I'm doing it because I want to do it.

I feel physically ill if I don't make work, I don't create. I don't feel very good. I don't feel right, I feel wrong.

I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.

I've worked really hard. I've made three pieces of seminal art in my life. If I died tomorrow, I'd be remembered for making them. There are a lot of artists who, no matter how hard they work in their lives, will never make anything seminal.

I've been slagged off completely by the art world and I don't know whether fancy being slagged off by the literary world as well. It's just too much.

When I think about sex it makes me realise how alone I feel.