Tracey Emin Quotes

I've got over so much. Mum wouldn't want anything to come into my life that would make me fragile again

I know people went to laugh at my bed and to jeer at it. Still, at least they actually went to see it.

I'm a terrible cook, but if I could cook, I would see that in art as well, it's how much creative energy you put into something.

When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.

People don't remember. Revenge is sweet.

Have you ever longed for someone so much, so deeply that you thought you would die? That your heart would just stop beating? I am longing now, but for whom I don't know. My whole body craves to be held. I am desperate to love and be loved. I want my mind to float into another's. I want to be set free from despair by the love I feel for another. I want to be physically part of someone else. I want to be joined. I want to be open and free to explore every part of them, as though I were exploring myself.

When I am ill or upset he jumps up on to the bed to curl up close beside me. But if I am in bed with a hangover he will have nothing to do with me.

Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.

I thought it would be my one and only exhibition so I decided to call it My Major Retrospective.

It's my memory, and what happened between that moment 10 or 15 years ago and now, there's a lot of gray area

Theres different kinds of love, and Id never experienced that kind of totally platonic love. All the love Ive experienced has always been a kind of deal, and now, as I get older, I realise that theres this other love out there.

I've worked really hard. I've made three pieces of seminal art in my life. If I died tomorrow, I'd be remembered for making them. There are a lot of artists who, no matter how hard they work in their lives, will never make anything seminal.

I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.

Because of the amount of press attention, people went to see this dirty bed, as if it was a freak show. But when they got there, they saw something else - the bed, stuff on the walls, whatever. For the Tate, it's the highest attendance they ever received for the Turner Prize show. There was a massive queue, and when you got into my bit, you couldn't move.

Sometimes i feel lonely, but it's ok

If I didn't want to work for a couple of years I wouldn't have to - it's a great feeling, to know I'm doing it because I want to do it.

When I think about sex it makes me realise how alone I feel.

I have hardly any friends who aren't gay

If I were really, truly in love with someone who was truly in love with me, then I would get married, but that would be the only reason I'd get married.

My New Year's Eve is always 2 July, the night before my birthday. That's the night I make my resolutions. And this year scares the life out of me, because no matter how successful, how good things appear, there is always a deep core of failure within me, although I am trying to deal with it. My biggest fear, this coming year, is that I will be waking up alone. It makes me wonder how many bodies will be fished out of the Thames, how many decaying corpses will be found in one-room flats. I'm just being realistic.

My influences were from Europe from between 1900 and 1945. My favorite artists were Egon Schiele or Edvard Munch. I wasn't interested in contemporary art at all.

My mum has never wanted me to have children. She thinks I would be destroying my life, even now.

They grew really quickly. One minute I didn't have any tits and the next I had the biggest tits in the world.

One thing that success has taught me is censorship.

I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.

I've never been married because, first of all, I don't think I've ever seriously been asked by anyone who I wanted to marry. [...] And also I'm monogamous.

For me, being an artist with a high profile is a good thing for art.

Art is like a lover whom you run away from but who comes back and picks you up.

All the mistakes I've ever made in my life have been when I've been drunk. I haven't made hardly any mistakes sober, ever, ever.

I really love animals. My cat is my little soul mate. He's not just a cat, he's my friend.

The soul will always do what it needs to do.

I'm not trying to find another thing that's wrong with me, but I'm such a nice person, and I have a couple of drinks and I'm really good fun and then I'm really not fun

I'm totally monogamous when I'm in a relationship, and when I'm not in a relationship, I don't sleep around. So when I'm not with someone, I'm really on my own.

I don't ask for an apology because it's only tomorrow's fish-and-chip paper.

All the people in the late '80s and early '90s were really hell-bent on doing something for themselves, and they wouldn't take no for an answer. There was a lot of determination, and I was definitely part of that way of thinking.

When it comes to words I have a uniqueness that I find almost impossible in art – and it's my words that actually make my art quite unique.

I feel physically ill if I don't make work, I don't create. I don't feel very good. I don't feel right, I feel wrong.

The people in Miami are so different from anywhere else I've been in America. They're so down to earth, really friendly, and quite self-effacing, with a good sense of humor. I'm not saying other parts of America don't have a sense of humor, but Miami maybe has to have a really good sense of humor for lots of different reasons, and it works. It works for me.

There is no comparison between him and me; he developed a whole new way of making art and he's clearly in a league of his own. It would be like making comparisons with Warhol.

It pleases me that people can be interactive

I am fiercely independent and I probably wouldn't be if it wasn't for the way in which I was brought up

What is truth? Truth doesn't really exist. Who is going to judge whether my experience of an incident is more valid than yours? No one can be trusted to be the judge of that.

Strolling on the plateau of life, desperate for the mountain, I never thought that I would get this far. It's only art that has carried me through, given me faith in my own existence. But now I am approaching a point in my life where I desire more.

What's in yesterday's newspaper is today's fish-and-chip paper. If it really affects my life so badly, so personally, then I would do something about it. When it's really out of order, or something possibly detrimental to my family, or I'm driven to such a level that I know that this can be picked up and repeated again, I will just write or e-mail the newspaper editor. So, in the next day's newspaper, it might say, "Tracey Emin says this is factually incorrect."

People try constantly to use me and I hate it.

The reason why I'm popular as an artist in this country is because it suits the psyche of the nation at this time. Ten years ago, my work wouldn't have had any currency, any popularity at all. Before in this country, you had to be accepted. You had to be part of the group. Now it's probably more trendy to have a problem.

I found that life has to be edited to continue.

I've been slagged off completely by the art world and I don't know whether fancy being slagged off by the literary world as well. It's just too much.