Sometimes my family thinks I've made my childhood a bit more Dickensian than it was, and it probably wasn't all that bad. But I was uncomfortable as a kid.

I mean there’s a certain finality about a movie, when it’s done it’s done – that raised eyebrow in that moment will always be that raised eyebrow. Whereas a play only lives as a blueprint for a performance on any given night. There’s a reason you can eat popcorn and watch a movie and you can’t do that in the theatre. Theatre you have to lean in, you have to tune your ear to the stage and participateI respond to heat. And blood. And humanity. The cold experience is not for me. I’ve always enjoyed all the real people in a room together in the theatre.

What they frequently want to do with a movie is, they want to cut out the valleys and just show the peaks. And valleys are important; the valleys make the peaks stand out.

Women are beautiful when they're young, and not after. Men can still preserve their sex appeal well into old age.... Some men can maintain, if they embrace it ... cragginess, weary masculinity. Women just get old and fat and wrinkly.

I'm aware that a film is different than a play, and that a film isn't going to be the filmed record of the play. It's its own separate entity, and I've come to peace with that.

I don't think I'd give advice. That never pays off. That's always a bad idea. If they follow your advice and it doesn't work out, or if they don't follow your advice, somehow you're on the hook for it.

Well, one of the things we're supposed to be able to do as playwrights is write from a place of empathy, get into another character's shoes and experience things both mundane and tragic. And people don't - like me right now - people aren't necessarily the most eloquent when trying to express their emotions. I guess I feel as a playwright that those people deserve a voice, too, a voice that isn't so articulate that they themselves can no longer identify with it.