I'm aware that a film is different than a play, and that a film isn't going to be the filmed record of the play. It's its own separate entity, and I've come to peace with that.

I mean there’s a certain finality about a movie, when it’s done it’s done – that raised eyebrow in that moment will always be that raised eyebrow. Whereas a play only lives as a blueprint for a performance on any given night. There’s a reason you can eat popcorn and watch a movie and you can’t do that in the theatre. Theatre you have to lean in, you have to tune your ear to the stage and participateI respond to heat. And blood. And humanity. The cold experience is not for me. I’ve always enjoyed all the real people in a room together in the theatre.

You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.

I like Shakespeare, but I never know what the hell is going on.

I'm kind of perverse in that I think pessimism is helpful. My pessimism is my own kind of patriotism. My dissent.

I don't think I'd give advice. That never pays off. That's always a bad idea. If they follow your advice and it doesn't work out, or if they don't follow your advice, somehow you're on the hook for it.

I don't know what it says about me that I have a greater affinity with the damaged. Probably nothing good.