Ultimately it's a snowboarding film [Fourth Phase], of course, so the main thing that we wanted to celebrate was how awesome snowboarding is! Secondly, we wanted to celebrate the environment that we all shape our lives around. So the film documents myself and other like-minded individuals attempting to follow the hydrological cycles that shape the worlds we've committed our lives to.

I'm really interested in revamping the Supernatural contest, so I'm going to put a lot of effort and energy into that going forward.

I'm passionate about capturing amazing snowboarding action. I get so much out of the artistic endeavor of even getting one amazing shot in a pristine environment, using specialist cameras to showcase how fun and dynamic snowboarding is. That's what I live for.

If we want authenticity we have to initiate it.

I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.

Don't hurry, don't worry, and don't forget to smell the flowers.

Experiencing the world through Endless secondhand information isn't enough. If we want authenticity we have to initiate it.