When I first started doing comedy, there was no such thing as a room that had black people and white people in it. That didn't exist.

I don't even remember hearing about [Immorality Act of 1927]. I just knew about it. I was born into it, so I don't remember my parents ever saying it to me. I don't remember a conversation ever being had around this. I just knew this to be the law because that's what I was growing up in during that time in South Africa.

Smaller incidents in my life made me realize that language, even more than color, defines who you are to people.

I grew up in a world where authority was female. I never thought to call myself a feminist because of branding. I had this skewed idea of feminist: I thought it meant being a woman who hates men. When I read Chimamanda Ngozi Adichie's We Should All Be Feminists, I was like, "Oh, this is what my mom taught me. This is simple. I don't understand why everybody is not this."

When I first came to the U.S. - because I do accents and I've traveled the world. I have friends of almost every single ethnicity, and I would mimic them. And when I came to the U.S., I remember one day we're at "The Daily Show." And I mimicked my Chinese friend. And the guys at the show were like, oh, hey, don't ever do that again. That's really racist.

People were encouraged to snitch. [South Africa] was a police state, so there were police everywhere. There were undercover police. There were uniformed police. The state was being surveilled the entire time.

It's very rare to find a place where news itself has a political bent. Normally, let's say in the U.K. for instance, newspapers might explicitly support one party or the other, but television is just straight-up facts that are not influenced by any party from either side. In South Africa we try to maintain the same thing. Unfortunately, the government sometimes intervenes, but for the most part, the facts are the facts.