In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four.

I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate.

I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve.

The most interesting to me were Doctor Strange, because he was so mystic, and Thor, because that was really cool. I mean, I had never been able to relate to the idea of a bearded guy in the sky, you know, and I'd always really liked mythology, and with Thor, it was like Stan Lee was actually saying, "Yeah, it's okay, there really is this Nordic god, there really is something besides the bearded guy in the sky". So I loved that!

In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four.

Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward.

I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.