Did you ever, in that wonderland wilderness of adolesence [sic] ever, quite unexpectedly, see something, a dusk sky, a wild bird, a landscape, so exquisite terror touched you at the bone? And you are afraid, terribly afraid the smallest movement, a leaf, say, turning in the wind, will shatter all? That is, I think, the way love is, or should be: one lives in beautiful terror.

What I do requires fantastic concentration... but you can't be totally alone, or you lose all contact with reality, so even when I'm engrossed and secluded, Jack Dunphy can be there. He's my oldest and best friend, and best critic too.

What we want most is to be held...and told..that everything (everything is a funny thing, is baby milk and papa's eyes, is roaring logs on a cold morning, is hoot owls and the boy who makes you cry after school, is mama's long hair, is being afraid and twisted faces on the bedroom wall)...is going to be alright.

I never had a rejection slip in my life.

...there was a blond misty boy sitting beside me, and he looked at me, and I at him, and we were not strangers: our hands moved towards each other to embrace. I never heard his voice, for we did not speak; it is a shame, I should so like the memory of it. Loneliness, like fever, thrives on night, but there with him light broke, breaking in the trees like birdsong, and when sunrise came, he loosened his fingers from mine, and walked away, that misty boy, my friend.

Never demean yourself by talking back to a critic, never. Write those letters to the editor in your head, but don't put them on paper.

As long as you live, there's always something waiting; and even if it's bad, and you know it's bad, what can you do? You can't stop living.