I don't use a typewriter, I write longhand, with a pencil. Essentially I'm a horizontal writer. I think better when I'm lying down.

I met Lee Harvey Oswald, in Moscow just after he defected. One night I was having dinner with a friend, an Italian newspaper cor­respondent, and when he came by to pick me up he asked me if I'd mind going with him first to talk to a young American defector, one Lee Harvey Oswald. Oswald was staying at the Metropole, an old Czarist hotel just off Kremlin Square.

Poor slob without a name. It's a little inconvenient, his not having a name. But I haven't the right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together.

I prefer to underwrite. Simple, clear as a country creek.

It's odd about tattoos. I've talked to several hundred men convicted of homicide-multiple homicide, in most cases. The only common denominate- I could find among them was tattoos. A good eighty percent of them were heavily tattooed.

Those final weeks, spanning end of summer and the beginning of another autumn, are blurred in memory, perhaps because our understanding of each other had reached that sweet depth where two people communicate more often in silence than in words: an affectionate quietness replaces the tensions, the unrelaxed chatter and chasing about that produce a friendship’s more showy, more, in the surface sense, dramatic moments.

Fame is only good for one thing - they will cash your check in a small town.