Most contemporary novelists, especially the American and the French, are too subjective, mesmerized by private demons; theyre enraptured by their navels and confined by a view that ends with their own toes.

They can romanticize us so, mirrors, and that is their secret: what a subtle torture it would be to destroy all the mirrors in the world: where then could we look for reassurerance of our identities? I tell you, my dear, Narcissus was so egotist...he was merely another of us who, in our unshatterable isolation, recognized, on seeing his reflection, the beautiful comrade, the only inseparatable love...poor Narcissus, possibly the only human who was ever honest on this point.

The average personality reshapes frequently, every few years even our bodies undergo a complete overhaul - desirable or not, it is a natural thing that we should change. All right, here were two people who never would change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic.

All human life has its seasons and cycles, and no one's personal chaos can be permanent. Winter, after all, gives way to spring and summer, though sometimes when branches stay dark and the earth cracks with ice, one thinks they will never come, that spring, and that summer, but they do, and always.

I was eleven, then I was sixteen. Though no honors came my way, those were the lovely years.

I'm sure Proust was a big bore.

Clocks indeed must have their sacrifice: what is death but an offering to time and eternity?