I was raised to be in service to something larger than myself. A lot of actors concentrate on what they will get out of the profession, rather than what they can offer it. The way I see it, if you come with something to offer, you can offer it forever.

The director's job is full of all sorts of annoyances and details - like how many cars are on the street. Ugh. I don't want it. I like my gig. And I feel that for the next 30 years or so I can keep learning more about it.

I'm not glamorous, I don't have a look, I don't know anything about opera, I have no Italian, and I'm too old.

Women are usually only interesting to studio executives when they are fecund, between the ages of 15 and 30. I decided to get through the really tough patch, around 50, by just cutting my price and playing ten years older. I didn't want to have to wait until I was an old lady to play one.

I don't take part in texting and those other things myself, so I don't really know if people put as much thought into messaging as they used to into writing letters.

I was raised to be in service to something larger than myself. A lot of actors concentrate on what they will get out of the profession, rather than what they can offer it. The way I see it, if you come with something to offer, you can offer it forever.

When you look at me you don't immediately imagine a very very glamorous icon, so it's only in the theater that I get to do these experiments. I've been an actor about 51 years now. I've played everything from an 8-year-old black boy to a 72-year-old French matriarch, and they hardly hire you to do that on TV.