I think hard times are coming. We will need writers who can remember freedom. Poets, visionaries, the realists of a larger reality.

It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.

No matter how successful, beloved, influential her work was, when a woman author dies, nine times out of ten, she gets dropped from the lists, the courses, the anthologies, while the men get kept. ... If she had the nerve to have children, her chances of getting dropped are higher still. ... So if you want your writing to be taken seriously, don't marry and have kids, and above all, don't die. But if you have to die, commit suicide. They approve of that.

To learn a belief without the belief is to sing a song without the tune.

It win be a device that will permit communication without any time interval between two points in space. The device will not transmit messages, of course; simultaneity is identity. But to our perceptions, that simultaneity will function as a transmission, a sending. So we will be able to use it to talk between worlds, without the long waiting for the message to go and the reply to return that electromagnetic impulses require. It is really a very simple matter. Like a kind of telephone.

Genre is a useful concept only when used not evaluatively but descriptively.

My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and ending in a sort of super Sophie's Choice. A daring tour de force.