All knowledge is partial, infinitesimally partial. Reason is a net thrown out into an ocean. What truth it brings in is a fragment, a glimpse, a scintillation of the whole truth.

The one thing a writer has to have is a pencil and some paper. That's enough, so long as she knows that she and she alone is in charge of that pencil, and responsible, she and she alone, for what it writes on that paper.

From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.

Sanity returns (in most cases) when the book is closed.

What is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.

Growing up during World War II certainly affected my whole view of life, but I hardly know how, it goes so deep. What's hard to explain now is that, though we were never invaded, and bombed only once and ineffectively on the coast of Oregon, everybody in the country was in that war. Everything we did was influenced by it - eating, traveling, dressing, thinking - everything in daily life.

In many college English courses the words “myth” and “symbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.