Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.

Even if people hate my other movies, and hate me, or whatever, I think from this point of view, Postal is the most important movie after September 11. It's not respecting any edge, any border, any nation, any religion - it's an all-type offender. I think that only if everybody gets a little pissed about something then you will start thinking about your situation.

There are a lot of idiots on the Internet getting a lot of attention.

The main point is that I think if we want the Earth to survive and everybody to have a positive future, we have to stop thinking in terms of religions and races. We have to face that we are all on the planet Earth together, and we have to figure out how we all survive. It makes no sense if we are all driving hybrid cars, but China pumps massive amounts of CO2 in the air. If we don't start working together and find solutions - if every country thinks only in terms of, "First we, then the other nations" - then we will fail.

House was the first film where I had no influence on the script. I had to buy the script with the game rights.

We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.

I think the Matrix effect is over-used and I don't do it anymore.