As a filmmaker, I get compared to people who have no clue how to do anything, but because of some Internet writing, it looks like they would actually be better filmmakers. I think this is absurd.

Agents are still asking for millions of dollars for actors that don't sell one ticket.

Even if people hate my other movies, and hate me, or whatever, I think from this point of view, Postal is the most important movie after September 11. It's not respecting any edge, any border, any nation, any religion - it's an all-type offender. I think that only if everybody gets a little pissed about something then you will start thinking about your situation.

We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.

In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.

I produce for a low price and I sell it on my own to 80 countries.

I think the Matrix effect is over-used and I don't do it anymore.