I always felt my writing could benefit from the attention of established writers. I knew my work could grow and be better.

I'd say my religious life has shaped my worldview; my writing, I'd say too, is an extension of the pulpit...it reaches folks who don't care for organized religion in a different way.

I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?

After the phone call from The New Yorker, I walked more than a mile to church to thank God. But then I told God I would talk to Him another time and darted home.

Maybe if we can find time to hug and cherish our families and the people around us, child suicide or college suicide wouldn't be rampant.

I don't believe in the art-for-art's-sake philosophy. With the raw material before me and the gifts within me, I did my best to celebrate the voices and intelligence and sweetness and dreams of the children in spite of their chaotic, outer worlds.

I have been very afraid of writing about other cultures and countries. I've been worried about getting the research wrong. I ask a lot of questions. I try to visit the area. If I'm not able to do that, I search out people from that country who live elsewhere and ask questions.