Either we have hope within us or we don't It is a dimension of the soul, and is not essentially dependent on some particular observation of the World or observation of the situation. Hope is not prognostication. It is an orientation of the spirit, an orientation of the heart.

Man is a part of the world, and his spirit is part of the spirit of the world. We are merely a peculiar mode of Being, a living atom within it, or, rather, a cell that, if sufficiently open to itself and its own mystery, can also experience the mystery, the will, the pain, and the hope of the world.

Sometimes I wonder if suicides aren't in fact sad guardians of the meaning of life.

If every day a man takes orders in silence from an incompetent superior, if every day he solemnly performs ritual acts which he privately finds ridiculous, if he unhesitatingly gives answers to questionnaires which are contrary to his real opinions and is prepared to deny his own self in public, if he sees no difficulty in feigning sympathy or even affection where, in fact, he feels only indifference or aversion, it still does not mean that he has entirely lost the use of one of the basic human senses, namely, the sense of humiliation.

The question is wholly other, deeper and equally relevant to all: whether we shall, by whatever means, succeed in reconstituting the natural world as the true terrain of politics, rehabilitating the personal experience of human beings as the initial measure of things, placing morality above politics and responsibility above our desires, in making human community meaningful, in returning content to human speech, in reconstituting, as the focus of all social action, the autonomous, integral, and dignified human "I."

The cliché organizes life; it expropriates people's identity; it becomes ruler, defense lawyer, judge, and the law.

Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.