I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.

I can see more naturalness in basic blues, basic R & B, basic rock 'n' roll.

I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff... the whole emphasis on what does it mean? Everybody has their own particular vision.

There was a conflict - the actual putting together of the reality of the situation didn't seem to gel. I'd been doing kind of a slow ballad type of thing on records, but when it came to performing, I felt I was limiting myself.

You've got to separate the singer and the songs.

Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.

Memories, how they linger in the twilight and in the wee small hours sometimes just before dawn.