But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

But my mom was a pianist, and she taught piano out of her house. I was just so excited, being a little kid and having all these other kids come to my house twice a week. I thought it was a big party.

But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.

Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.

Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.

My mom would give me a piece to play, but I wouldn't do any theory because when it came time to do it I would sneak back upstairs and watch TV. So, I had these kind of nonchalant lessons for years, then it just started soaking in.