No fantasy, however rich, no technique, however masterly, no penetration into the psychology of the opponent, however deep, can make a chess game a work of art, if these qualities do not lead to the main goal - the search for truth.

In chess, as in life, a man is his own most dangerous opponent.

A considerable role in the forming of my style was played by an early attraction to study composition.

Despite the development of chess theory, there is much that remains secret and unexplored in chess.

In my opinion, the style of a player should not be formed under the influence of any single great master.

The Ruy Lopez occupied a constant place in my opening repertoire. In it is reflected the classical interpretation of the problem of the centre.

I have frequently stated that I regard chess as an art form, where creativity prevails over other factors.