Despite the development of chess theory, there is much that remains secret and unexplored in chess.

The Ruy Lopez occupied a constant place in my opening repertoire. In it is reflected the classical interpretation of the problem of the centre.

In chess, as in life, a man is his own most dangerous opponent.

The first chess book that I read was Dufresne's self-tutor, published with Lasker's Common Sense in Chess as an appendix.

No fantasy, however rich, no technique, however masterly, no penetration into the psychology of the opponent, however deep, can make a chess game a work of art, if these qualities do not lead to the main goal - the search for truth.

I have frequently stated that I regard chess as an art form, where creativity prevails over other factors.

My fascination for studies proved highly beneficial, it assisted the development of my aesthetic understanding of chess, and improved my endgame play.