Despite the development of chess theory, there is much that remains secret and unexplored in chess.

I have frequently stated that I regard chess as an art form, where creativity prevails over other factors.

The Ruy Lopez occupied a constant place in my opening repertoire. In it is reflected the classical interpretation of the problem of the centre.

My fascination for studies proved highly beneficial, it assisted the development of my aesthetic understanding of chess, and improved my endgame play.

The first chess book that I read was Dufresne's self-tutor, published with Lasker's Common Sense in Chess as an appendix.

No fantasy, however rich, no technique, however masterly, no penetration into the psychology of the opponent, however deep, can make a chess game a work of art, if these qualities do not lead to the main goal - the search for truth.

A considerable role in the forming of my style was played by an early attraction to study composition.