Ruminants are a perfectly normal thing to possess when you live in upstate New York. It's just moving scenery. It's kind of like the equivalent of Great Danes. It's the way you keep your grass mowed. It's the way you keep your weed-whacking to a minimum.

To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.

I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.

I think the worst thing that can happen to a good actor is fame.

I think that films about faith made for faith-based communities have a certain tactic.

Partying has never been my thing. I've been around some wild people. I've been in the same room and watched them experiment, and that's been entertaining.

The fears and anxieties and obsessions wrapped up in being a parent.